12/28/2023 0 Comments Dry the river bible belt lyrics"The trick of it is, don't be afraid any more" - have faith. ![]() The line "We've been through worse than this before we could talk" shows the extent of what they've both been through and they can help each other and that there's hope for a brighter future. He tells her not to "cower in your bed" and not to "look so scared" - be brave, face your fears. Her lover/friend tells her that he'll be on his way and tells her to meet him: "meet me at the railway line". Then, the tone changes and it's a lot more hopeful. I think it's to show that her youth may have been taken from her and it had been darkened, but she can light up the fire inside. If it's dark outside, you light the fire yourself" - you have to do things for yourself to light up your world. Then, in reference to the line "Somewhere inside the fire in your youth went dark", she says "You take the cards that you're dealt. Next, the line "You swear blind there is no weight in the water pail" shows that she does not admit how her life is a burden upon her, she doesn't show how difficult it is. "Somewhere inside the fire in your youth went dark" is a reference to her innocence and childhood which was taken from her - by forcing her into adult duties when she should have been able to be a child. The line "steady with wintry calm" is about remaining calm but cold, almost like she's isolated from everyone including her parents. I think the girl is young because she still relies on her parents but is forced into adulthood to be strong for her sisters: "March your sisters like soldiers to school". What to buy: A free 3-track EP is available to download from .įile next to: The Mariner's Children, Fleet Foxes, Mumford & Sons, James Vincent McMorrow.Song MeaningI think the meaning behind this, as already stated is about a teenage girl with two alcoholic parents: "Your mother is drinking again" / "Your father had drunk all the fuel". Least likely to: Team up with Tinie Tempah. The buzz: "Their rattly alt-folk is a rag-tag mixture of Americana, gospel and indie rock." ![]() ") which makes us think of Bends-era Radiohead played by buskers who've just been given an amp for Christmas. But you can see why there's a fuss around DTR, especially on New Ceremony, with its festival crowd-pleasing chorus ("Shine a little light, don't wrestle with the night, don't think about the future. Shaker Hymns is another giveaway title – they clearly love Fleet Foxes, but beware: Liddle's choirboy-with-tonsillitis tones are an acquired taste, or rather, a flavour you may not savour for long. And the violin thing is self-evident – their tunes are doused in Harvey's playing, and in one, Family Tree (which sounds like Nirvana's Lithium with a folkie on the mic), his pizzicato plucking provides the rhythm. You can't tell from DTR's songs that Warren was once homeless (nor that Liddle is Norwegian), although they do start off acoustically and mournfully before becoming more brisk and jaunty, usually around the one-minute mark, which is hardly punk rock but certainly the energy-flow increases as time goes on. What began as a solo venture became a band once Liddle recruited "homeless punk-rock drummer" Jon Warren and classically trained violinist William Harvey. Norwegian songwriter Peter Liddle apparently draws inspiration from the stuff he studied at college, namely Medicine and Anthropology. Their songs, some of them collated on an EP entitled Bible Belt, have a sort of late-19th century American frontier ambience, with references to medicine men and intimations of creeping danger, but that doesn't stop them lodging in your skull. Why? Because they're both immensely catchy and you can bop along to them.ĭTR, like Mumford & Sons, know how to construct an infectious semi-acoustic ditty. The former is arguably being enjoyed more widely by high-street kids, the latter more by students, although we're betting Little Lion Man and Pass Out both get hammered at Uni discos. The one couldn't be more urban, the other offers a glimmer of the pastoral. Has there ever been a band alluding to nature in their name who were anything other than steeped in folk or country? Apart from Ocean Colour Scene? Readers, feel free to point out our limited knowledge of the rustic-moniker pantheon.ĭry the River, we have been reliably informed, are the subjects of a "furious major-label bidding war" – oddly, the two things selling well at the moment, and being chased by record companies, are the wholly unrelated grime-pop and folk-rock. The background: Ever so thoughtful of Dry the River to telegraph what they do with that name of theirs: they were never going to be a future dubstep act or a tech-metal crew, were they? There's no risk of you turning up at one of their gigs, wondering what to expect, ear-plugs in hand just in case.
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